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It's the spring of 1827, and in Vienna, Ludvig von Beethoven has
just completed his Tenth Symphony, which is to stand forever as his
masterpiece, his last and greatest work, the As he revels in the
triumph of such an accomplishment, he's visited by two spirits,
named Fate and Twist, the The composer objects, desperate to avoid
eternal damnation, the And thus begins the final, frantic battle
between Beethoven and Mephistopheles to determine the fate of a
soul.... That's the plotline of the Trans-Siberian Orchestra's
latest release, their first album to depart from the Christmas
theme the previous two (Christmas Eve and Other Stories and
Christmas Attic) both shared. Now, for those not in the know, the
New York based Trans-Siberian Orchestra is an unusual group. They
manage to blend hard rock, Broadway, and classical into a symphonic
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they take the old and familiar, be it Christmas carols, or
classical music, they then apply a modern rock sensibility and
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O'Neill, a longtime producer and Broadway musician. They blend
genres that should be blended, and as a result, turn out a truly
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They take such familiar works as Fur Elise and Beethoven's Fifth,
and throw them into a blender with electric instruments, and two
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It's the spring of 1827, and in Vienna, Ludvig von Beethoven has
just completed his Tenth Symphony, which is to stand forever as his
masterpiece, his last and greatest work, transsiberian As he revels
in the triumph of such an accomplishment, he's visited by two
spirits, named Fate and Twist. The composer objects, desperate to
avoid eternal damnation. And thus begins the final, frantic battle
between Beethoven and Mephistopheles to determine the fate of a
soul.... That's the plotline of the Trans-Siberian Orchestra's
latest release, their first album to depart from the Christmas
theme the previous two (Christmas Eve and Other Stories and
Christmas Attic) both shared. Now, for those not in the know, the
New York based Trans-Siberian Orchestra is an unusual group. They
manage to blend hard rock, Broadway, and classical into a symphonic
whole, creating spectacular music tapestries. To be more specific,
they take the old and familiar, be it Christmas carols, or
classical music, they then apply a modern rock sensibility and
energy, and tie it all together with Broadway style to generate
something between rock opera and musical journey. The primary
members of the TSO come from the rock group Savatage. However, for
this work, they were joined by members of the New York classical
scene, as well as a children's choir, making this a truly
multi-genre experience. The inspiration behind the TSO is Paul
O'Neill, a longtime producer and Broadway musician. They blend
genres that should be blended, and as a result, turn out a truly
unique sound. Beethoven's Last Night is a prime example of that.
They take such familiar works as Fur Elise and Beethoven's Fifth,
and throw them into a blender with electric instruments, and two
decades worth of Andrew Lloyd Webber's influence, and turn out....
This is the part where you go to their Web site and listen to some
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between Beethoven and Mephistopheles to determine the fate of a
soul.... That's the plotline of the Trans-Siberian Orchestra's
latest release, their first album to depart from the Christmas
theme the previous two (Christmas Eve and Other Stories and
Christmas Attic) both shared. Now, for those not in the know, the
New York based Trans-Siberian Orchestra is an unusual group. They
manage to blend hard rock, Broadway, and classical into a symphonic
whole, creating spectacular music tapestries. To be more specific,
they take the old and familiar, be it Christmas carols, or
classical music, they then apply a modern rock sensibility and
energy, and tie it all together with Broadway style to generate
something between rock opera and musical journey. The primary
members of the TSO come from the rock group Savatage. However, for
this work, they were joined by members of the New York classical
scene, as well as a children's choir, making this a truly
multi-genre experience. The inspiration behind the TSO is Paul
O'Neill, a longtime producer and Broadway musician. They blend
genres that should be blended, and as a result, turn out a truly
unique sound. Beethoven's Last Night is a prime example of that.
They take such familiar works as Fur Elise and Beethoven's Fifth,
and throw them into a blender with electric instruments, and two
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release, their first album to depart from the Christmas theme the
previous two (Christmas Eve and Other Stories and Christmas Attic)
both shared. Now, for those not in the know, the New York based
Trans-Siberian Orchestra is an unusual group. They manage to blend
hard rock, Broadway, and classical into a symphonic whole, creating
spectacular music tapestries. To be more specific, they take the
old and familiar, be it Christmas carols, or classical music, they
then apply a modern rock sensibility and energy, and tie it all
together with Broadway style to generate something between rock
opera and musical journey. The primary members of the TSO come from
the rock group Savatage. However, for this work, they were joined
by members of the New York classical scene, as well as a children's
choir, making this a truly multi-genre experience. The inspiration
behind the TSO is Paul O'Neill, a longtime producer and Broadway
musician. They blend genres that should be blended, and as a
result, turn out a truly unique sound. Beethoven's Last Night is a
prime example of that. They take such familiar works as Fur Elise
and Beethoven's Fifth, and throw them into a blender with electric
instruments, and two decades worth of Andrew Lloyd Webber's
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Christmas theme the previous two (Christmas Eve and Other Stories
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the New York based Trans-Siberian Orchestra is an unusual group.
They manage to blend hard rock, Broadway, and classical into a
symphonic whole, creating spectacular music tapestries. To be more
specific, they take the old and familiar, be it Christmas carols,
or classical music, they then apply a modern rock sensibility and
energy, and tie it all together with Broadway style to generate
something between rock opera and musical journey. The primary
members of the TSO come from the rock group Savatage. However, for
this work, they were joined by members of the New York classical
scene, as well as a children's choir, making this a truly
multi-genre experience. The inspiration behind the TSO is Paul
O'Neill, a longtime producer and Broadway musician. They blend
genres that should be blended, and as a result, turn out a truly
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They take such familiar works as Fur Elise and Beethoven's Fifth,
and throw them into a blender with electric instruments, and two
decades worth of Andrew Lloyd Webber's influence, and turn out....
This is the part where you go to their Web site and listen to some
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