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It's the spring of 1827, and in Vienna, Ludvig von Beethoven has
just completed his Tenth Symphony, which is to stand forever as his
masterpiece, his last and greatest work, crackers As he revels in
the triumph of such an accomplishment, he's visited by two spirits,
named Fate and Twist, crackers The composer objects, desperate to
avoid eternal damnation. And thus begins the final, frantic battle
between Beethoven and Mephistopheles to determine the fate of a
soul.... That's the plotline of the Trans-Siberian Orchestra's
latest release, their first album to depart from the Christmas
theme the previous two (Christmas Eve and Other Stories and
Christmas Attic) both shared. Now, for those not in the know, the
New York based Trans-Siberian Orchestra is an unusual group. They
manage to blend hard rock, Broadway, and classical into a symphonic
whole, creating spectacular music tapestries. To be more specific,
they take the old and familiar, be it Christmas carols, or
classical music, they then apply a modern rock sensibility and
energy, and tie it all together with Broadway style to generate
something between rock opera and musical journey. The primary
members of the TSO come from the rock group Savatage. However, for
this work, they were joined by members of the New York classical
scene, as well as a children's choir, making this a truly
multi-genre experience. The inspiration behind the TSO is Paul
O'Neill, a longtime producer and Broadway musician. They blend
genres that should be blended, and as a result, turn out a truly
unique sound. Beethoven's Last Night is a prime example of that.
They take such familiar works as Fur Elise and Beethoven's Fifth,
and throw them into a blender with electric instruments, and two
decades worth of Andrew Lloyd Webber's influence, and turn out....
This is the part where you go to their Web site and listen to some
of the excerpts from the album for yourself. The music is powerful,
evocative, and vibrant, reinv kinkel zachary, dead winter dead
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It's the spring of 1827, and in Vienna, Ludvig von Beethoven has
just completed his Tenth Symphony, which is to stand forever as his
masterpiece, his last and greatest work. Get info on kinkel As he
revels in the triumph of such an accomplishment, he's visited by
two spirits, named Fate and Twist. Get info on kinkel The composer
objects, desperate to avoid eternal damnation. Get info on kinkel
And thus begins the final, frantic battle between Beethoven and
Mephistopheles to determine the fate of a soul.... That's the
plotline of the Trans-Siberian Orchestra's latest release, their
first album to depart from the Christmas theme the previous two
(Christmas Eve and Other Stories and Christmas Attic) both shared.
Now, for those not in the know, the New York based Trans-Siberian
Orchestra is an unusual group. They manage to blend hard rock,
Broadway, and classical into a symphonic whole, creating
spectacular music tapestries. To be more specific, they take the
old and familiar, be it Christmas carols, or classical music, they
then apply a modern rock sensibility and energy, and tie it all
together with Broadway style to generate something between rock
opera and musical journey. The primary members of the TSO come from
the rock group Savatage. However, for this work, they were joined
by members of the New York classical scene, as well as a children's
choir, making this a truly multi-genre experience. The inspiration
behind the TSO is Paul O'Neill, a longtime producer and Broadway
musician. They blend genres that should be blended, and as a
result, turn out a truly unique sound. Beethoven's Last Night is a
prime example of that. They take such familiar works as Fur Elise
and Beethoven's Fifth, and throw them into a blender with electric
instruments, and two decades worth of Andrew Lloyd Webber's
influence, and turn out.... This is the part where you go to their
Web site and listen to some of the excerpts from the album for
yourself. The music is powerful, evocative, and vibrant,
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composer objects, desperate to avoid eternal damnation. And thus
begins the final, frantic battle between Beethoven and
Mephistopheles to determine the fate of a soul.... That's the
plotline of the Trans-Siberian Orchestra's latest release, their
first album to depart from the Christmas theme the previous two
(Christmas Eve and Other Stories and Christmas Attic) both shared.
Now, for those not in the know, the New York based Trans-Siberian
Orchestra is an unusual group. They manage to blend hard rock,
Broadway, and classical into a symphonic whole, creating
spectacular music tapestries. To be more specific, they take the
old and familiar, be it Christmas carols, or classical music, they
then apply a modern rock sensibility and energy, and tie it all
together with Broadway style to generate something between rock
opera and musical journey. The primary members of the TSO come from
the rock group Savatage. However, for this work, they were joined
by members of the New York classical scene, as well as a children's
choir, making this a truly multi-genre experience. The inspiration
behind the TSO is Paul O'Neill, a longtime producer and Broadway
musician. They blend genres that should be blended, and as a
result, turn out a truly unique sound. Beethoven's Last Night is a
prime example of that. They take such familiar works as Fur Elise
and Beethoven's Fifth, and throw them into a blender with electric
instruments, and two decades worth of Andrew Lloyd Webber's
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masterpiece, his last and greatest work related to time As he
revels in the triumph of such an accomplishment, he's visited by
two spirits, named Fate and Twist. The composer objects, desperate
to avoid eternal damnation. And thus begins the final, frantic
battle between Beethoven and Mephistopheles to determine the fate
of a soul.... That's the plotline of the Trans-Siberian Orchestra's
latest release, their first album to depart from the Christmas
theme the previous two (Christmas Eve and Other Stories and
Christmas Attic) both shared. Now, for those not in the know, the
New York based Trans-Siberian Orchestra is an unusual group. They
manage to blend hard rock, Broadway, and classical into a symphonic
whole, creating spectacular music tapestries. To be more specific,
they take the old and familiar, be it Christmas carols, or
classical music, they then apply a modern rock sensibility and
energy, and tie it all together with Broadway style to generate
something between rock opera and musical journey. The primary
members of the TSO come from the rock group Savatage. However, for
this work, they were joined by members of the New York classical
scene, as well as a children's choir, making this a truly
multi-genre experience. The inspiration behind the TSO is Paul
O'Neill, a longtime producer and Broadway musician. They blend
genres that should be blended, and as a result, turn out a truly
unique sound. Beethoven's Last Night is a prime example of that.
They take such familiar works as Fur Elise and Beethoven's Fifth,
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decades worth of Andrew Lloyd Webber's influence, and turn out....
This is the part where you go to their Web site and listen to some
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